Episode 114: Beginnings and Opening Lines

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In honor of NaNoWriMo, this month Fable and the Verbivore are talking about beginnings, middles, and endings.

Today, we're talking about ways to open and set up a story. The importance of drawing your reader in, engaging their interest, weaving the world of your story around them, and creating a connection to your characters and the situation they find themselves in.

We touch on many examples of story openings from books we've enjoyed, focusing on how they address four key elements:

  • Create questions in the reader's mind

  • Establish character

  • Introduce setting

  • Illuminate theme

But we also discuss types of openings and some of the things to consider when choosing how to enter your own story. For instance, should it begin with a jump into action, dialogue, description, narration, or touch of your character's voice? The opening line may come easily to you or it may take multiple rewrites to figure out what works best. But by not putting too much pressure to get it right up front, you allow it to unfold naturally as it needs to.

Towards the end of the episode, we briefly touch on embedding story setups and planting elements early on that will later payoff - referencing the old theater rule that Stephen King mentions in his book On Writing. "If there's a gun on the mantel in Act 1, it must go off in Act 3. The reverse is also true." We’ll revisit this again when we discuss endings.

We hope you enjoy this episode! Keep reading, writing, and putting your voice out there!

Into the woods,

Fable & The Verbivore

Notes:

In case you’re unfamiliar with NaNoWriMo, here is some information: https://nanowrimo.org/what-is-nanowrimo

Both Fable and the Verbivore mention that there’s a variety of ways to view and approach entering into a story. Here are some articles that we found helpful in preparation for this conversation:

The Verbivore referenced a quote from Stephen King’s “On Writing”. That full quote is: “If there's a gun on the mantel in Act 1, it must go off in Act 3. The reverse is also true." It’s an allusion to a dramatic principle called Chekhov's gun which speaks to story setups and payoffs. Here is some additional information:

Books Mentioned:

Music from: https://filmmusic.io
’Friendly day’ by Kevin MacLeod (https://incompetech.com)
Licence: CC BY (https://creativecommons.org/licenses/by/4.0/)

Bethany Stedman